From 26 March to 29 August 2004 the Jewish Historical Museum
presented the first international survey of architecture for Jewish
institutions from the late twentieth century to the present day.
Sixteen contemporary synagogues, Jewish museums and schools by
leading architects were featured in fourteen pavilions. Each of the
showcased designs was in itself extraordinary and reflected a
growing sense of Jewish identity in innovative forms.
The confidence radiated in recent years by
clients and architects in exciting and enterprising building
projects testifies to a new sense of Jewish awareness. While the
architecture itself is remarkable, the locations are also often
prominent and imbue each project with even greater force. This
trend was first visible in the new generation of Jewish museum
buildings, in particular Daniel Libeskind's revolutionary Jewish
Museum in Berlin. Both inside and out, this building is an
expression of Jewish history in Germany and the destruction of
Jewish life in the Second World War. Exceptional designs have also
been produced for synagogues and schools. Zvi Hecker's new
community centre in Duisburg, for example, is on a prime location
in the city and the complex's fan-like structure is not something
that can easily be missed.
It took two generations after the war for this wave of innovation
to emerge. Jewish communities have begun to grow and thrive again.
The collapse of communism in Eastern Europe and the arrival of many
Russian Jews in the West provided an additional impulse. While in
the past Jewish institutions had kept a low profile, this revival
of Jewish life presented an opportunity for several groundbreaking
architectural projects.
YIBANEH! (Hebrew for 'it will be built'), a Jewish
Historical Museum initiative, will travel after Amsterdam to
Osnabrück, Warsaw, Berlin, Vienna, Munich and London. The design
for the exhibition interior was by Kosmann.dejong. Included in the
show was a film by Joram ten Brink in which architects and clients
discuss the background to various projects in the presentation. The
exhibition was accompanied by a bilingual catalogue
(English/German) published by Uitgeverij Prestel, Munich.