The Jewish Historical Museum and the Theater Instituut Nederland
are presenting an exhibition on the life and work of the dancer and
choreographer Sonia Gaskell. The importance of Gaskell's work to
classical dance in the Netherlands cannot be overstated. Using
photographs, costumes, and video clips, the exhibition gives a
picture of this remarkable woman and tells the story of dance in
the Netherlands up to the year 1969. The director Jellie Dekker
made a documentary about Gaskell, entitled Mevrouw ('Madam'). The
film is produced by IDTV Docs as a co-production with the
NPS.
Sonia Gaskell (1904-1974) was born to Russian Jewish parents in
Lithuania and grew up in Ukraine. She travelled to Palestine and
Paris, where she developed her great passion for classical dance,
before settling in Amsterdam in 1939. The Netherlands did not yet
have any academic tradition of dance at that time, such as existed
in Russia and France. There were no subsidised dance companies or
official training courses for dancers, and there were no
professional prospects whatsoever for dancers or choreographers.
Gaskell opened a ballet studio on Zomerdijkstraat in Amsterdam,
where she continue to teach covertly during the years of German
occupation. In 1945 she founded her first dance company.
Sonia Gaskell was an expressive woman with a strong character, who
soon established herself as the driving force behind the
emancipation of dance. She successfully trained dancers who could
work with both the modern and the classical romantic repertoires.
She also provided opportunities for young choreographers. In 1954
she was appointed artistic director of the first subsidised
national ballet company, the Nederlands Ballet, which was subsumed
into Het Nationale Ballet (the Dutch National Ballet) in 1961.
Together with dancers such as Olga de Haas and choreographers like
Rudi van Dantzig, she succeeded in making this company
world-renowned. Gaskell retired from Het Nationale Ballet in
1969.
Sonia Gaskell: Pioneer of dance is the second in a series of
exhibitions mounted by the Theater Instituut Nederland in
collaboration with various museums, highlighting major developments
in the Dutch performing arts over the past few decades.
The exhibition was made possible by the support of the Dioraphte
Foundation, and the documentary was sponsored by the VandenEnde
Foundation as well as the VSB, SNS REAAL and CoBO Funds.