From 15 July 2011, the Jewish Historical Museum is
hosting an exhibition of photographs by the Berlin-born
photographer Marianne Breslauer (1909-2001) entitled Unguarded
Moments. Despite her small oeuvre, Breslauer is regarded as one of
the most important avant-garde German photographers of the
inter-war years. The JHM is organising the first exhibition of her
work in the Netherlands.
Breslauer's photography is characterised by a remarkable
combination of the modernist 'Neue Sehen' (New Vision) and a highly
personal, poetic style. She worked with other important modernist
photographers such as Paul Citroen, Erwin Blumenfeld and Man Ray,
and was inspired by André Kertész and Brassaï. She focused her
camera mainly on ordinary people and details at the periphery of
city life, uncovering a tranquil reality that could be caught only
in unguarded moments. Breslauer was also fond of portraiture,
creating numerous images of modern, liberated women. Her
photographs of this type of 'new woman' contributed to the image of
self-confident women in the 1920s.
Marianne Breslauer quickly made a name for herself in the early
1930s. In addition to making street photography and portraiture,
she worked as a photojournalist for the emerging illustrated
newspapers. Her fashion, advertising and travel photographs
appeared in various newspapers and magazines. When the Nazis
assumed power in Germany in 1933, as a Jew Breslauer was unable to
get her work published. In 1936 she fled with her future husband,
the art dealer Walter Feilchenfeldt, to Amsterdam, where she ended
her career as a photographer with as series of atmospheric
cityscapes. Following her husband's death in 1953 she continued his
art dealership in Zurich and became the first successful female
international art dealer.
Breslauer's photography from the 1920s and 1930s was rediscovered
only in the 1970s and since then has received greater recognition.
The exhibition in the Jewish Historical Museum brings together
approximately a hundred photographs from Marianne Breslauer's
oeuvre: mostly vintage prints but also new prints from the original
negatives in her archive. The exhibition was curated by the
Fotostiftung Schweiz in Winterthur and was shown last year at the
Berlinische Galerie in Berlin. The exhibition runs at the JHM until
13 November 2011.